Alison is the photographer and writer of 'Blue Bubbles - Fiji Underwater' - a coffee table souvenir book sold widely around Fiji. She leads underwater photography trips to Fiji for photographers from around the world who want to practice their skills on Fiji's reefs.
Underater photography is commonly split into two sections - wide angle photography, which uses a large 10-17 mm fish eye lens to take in the whole scene of the reef - and a 100 mm macro lens, which allows the photographer to zoom into the features and bizarre appendages of the benthic world of the ocean.
Wide angle underwater photography involves the capture of a wild field of view, making it possible in include expansive scenes of marine life and coral reefs. A fish eye lens if often used with a 10-17 mm quite commonly chosen to create huge canvases of coralscapes. When using a wide angle lens photographers are required to get very close to the subject., whilst not touching anything in the underwater environment. There are techniques to learn that help with exposure and the diffusion of light, colour loss and backscatter (particles in the water which reflect in the strobe lights).
Underwater macro photography involves shooting close up images of small creatures. This involves focusing on the intricate details of tiny marine life, such as colourful nudibranchs, shrimp, crabs and slugs. Macro photography uses a variety of diopeters and magnifying lenses as well. Staying perfectly still in the water is critical as it is very hard to gain focus on the subject - especially when employing a technique such as bokeh - which relates to the blurred background and a very narrow focal point - usually on a creature's eye.
Wide Angle
Explore ways of creating underwater wide angle 'canvases' mixing ambient and strobe light in layers. Learn the tricks to minimise backscatter, be inspired with composition ideas, coral texturing. black backgrounds and vertical drama shots.
Macro
The world of the small is a must for any serious underwater photogapher as it is here we can get most creative displaying the ocean's weird and wonderful critters to the world. Bokeh (silky, soft focus, backgrounds), black vignettes, inward lighting.
Post Processing
We continue our artistic journey by learning how to tweak and gently enhance our images in Adobe Lightroom. Add your individual watermark, soften or enhance colours, sharpen edges, crop imagery, rotate and reverse.
Camera Hire
We have a nikon 7200 in housing and strobes for hire as well as a go pro. off camera lighting and a video light.